It is twenty years ago, in early September 2001, that we met in Spindleruv Mlyn for the 4th time in order to create a memory to the "Girls of Room 28" and also a tribute to the adults who took care of the children in Theresienstadt ghetto and taught them the importance of friendship, solidarity, human values and who made it possible for them to experience the power of art, culture and creativity. Our meetings took place many more times in the years to come, always in September, and many more times I visited them in their homes. These encounters, our conversations, our friendship has given a direction to my life and a special meaning. I never forget my friends and their story.
Excerpt from the Compendium to The Room 28 Educational Project
How it all began. A personal review.
Years have passed since, in Prague in 1996, I first came to know some of the survivors of Room 28, L 410, in the Theresienstadt concentration camp. We met when I did some research for a radio feature on the children’s opera
Brundibár. Soon I joined forces with them to help fulfil their most fervent wish: to create a lasting memorial to the children of Theresienstadt and to all their beloved who did not survive the Holocaust. They also wanted to commemorate the adults who had taken loving care of them – social workers, educators and artists who taught them values that remained central throughout their lives.
The initiative to create something like a memorial book came from
Anna Hanusová, nicknamed
Flaška,
and her friend Helga
Kinsky, née Pollak
from Vienna. Two documents gave rise to their plan: Flaškas “poetry-album” (scrap-book) and Helga’s Theresienstadt diary – an authentic diary written between 1943-1944 in Room 28. Anyone who has seen these documents understands why they inspired the two women to do something to commemorate their murdered friends and keep alive the spirit manifested in these and other documents from Theresienstadt – poems, essays, drawings, letters – showing how much the adults tried to give the children support and orientation at this time of disintegration of human values. In 1943 the Zionist youth leader Fredy Hirsch put it this way: “We had to try to save the children from the devaluation of what is good”.
In order to work together we all met for the first time in September 1998 in Spindlermühle/Špindlerův Mlýn in the Giant Mountains/ Czech Republic. We came from all directions: Helga from Vienna, Flaška from Brno, Marta from Cheb, Handa, Hanka, Vera and Judith from Israel, Ela from the United States, Evelina from St. Petersburg. I came from Berlin. Autobiographical notes, documents and recollections were collected and exchanged while I asked endless questions and recorded our talks in countless notebooks and on audio tapes. On this occasion, and at the get-togethers that followed every year at the same time and place, I was both witness to, and participant in a work of remembrance that became more intense and vibrant as the years went on.
A passage from Helga’s diary, words from Flaška’s scrap-book, a poem from Handa’s notebook, a child’s drawing, a photo, a melody – and all of a sudden the past would come alive for the women, tangibly close also for me, the outsider, who was carried away by this stream of consciousness and thrown into the very centre of a story that since then has never let me go.
The book was published in 2004 by Droemer Publishing House, Munic. An exhibition - to give space to the documents and testimonies - was created the same year, opened on 23 September in Schwerin. It turned into a travelling exhibition shown all over German, until today in more than 70 venues, one of them being in 2008 the German Parliament.
A Czech version was produced in 2006 and donated to the Jewish Museum in Prague. A French version was part of the Musiques interdites festival in Marseille in 2009; an English version was prepared in 2010 within the scope of a German-Israel Brundibár project with the Leipzig Gewandhaus Children's Choir. Further exhibits followed in Great Britain thanks to and accamponied by the translator of the exhibition into English, Gabriel Fawcett, a Berlin based historian and historical tour guide.
In 2013 the English exhibition was shown as part of the Holocaust Memorial Day in the European Commission, in 2014 in the United Nations in Geneva.
In June 2019 the English exhibition was seen in the Millennium Centre in Cardiff/Wales in the frame of performances of the children opera Brundibár
at the Welsh National Opera House (WNO). There a magic circle closed: It was the son of “our dear Flaška”, Tomas Hanuš, WNO’s musical director, who paid tribute to his mother, Anna Hanusová (Flaška) and her mission by staging, together with theatre-director David Pountney, the children opera Brundibár.
The performances were
highlighted by the exhibtion "The Girls of Room 28".
Flaška’s motto in life were words from Margit Mühlstein, one of the adults who took care of the children, and who wrote into her scrap-book: Ours years in Theresienstadt will be of no use if, in our later life, we ever oppress but a single person.
More information about "The Girls of Room 28"
Current Project:
Jewish Identity in the Context of European History here
Theater-Play "The Girls of Room 28"
here: